"HOT WIND BLOWS" samples "Slow Hot Wind" by Penny Goodwin (1974)."LUMBERJACK" samples "2 Cups of Blood" by Gravediggaz (1994)."WUSYANAME" samples "Back Seat (Wit No Sheets)" by H-Town (1994)."CORSO" samples "Oriental Workload" by James Asher (1979)."SIR BAUDELAIRE" samples "Michael Irvin" by Westside Gunn (2020).Jamie xx assisted in production for "RISE!" and Jay Versace did the same for "SAFARI."Īlthough an embedded storyline for the album is not present in this album, Tyler makes frequent mentions of his Rolls Royce ("LUMBERJACK"), a yacht he owns ("HOT WIND BLOWS"), and a relationship that turned south ("WILSHIRE.")īelow is a list of all the samples found in this album, sourced from except where noted: Frank Ocean speaks at the end of "LEMONHEAD" and Tyler's mother speaks for the entirety of "MOMMA TALK," but both are not credited. Lil Uzi Vert & Pharrell Williams)Īlthough DJ Drama is only listed as a feature for the album's opener "SIR BAUDELAIRE", he provides vocals for all but three songs on the album. SWEET / I THOUGHT YOU WANTED TO DANCE (ft.Ty Dolla $ign & YoungBoy Never Broke Again) The final track " SAFARI" is swapped with " FISHTAIL" for CD releases. The standard version of the color appears to be the yellow version, based on the fact that the CD release uses that color pattern:īefore the album's release, Tyler shared another photo with the album cover that fans speculate might be a limited-edition cover for perhaps a vinyl release. Like the CD/cassette releases of Igor, the album cover comes with four different color themes (only the coloring of the card is changed): yellow, green, pink, and blue. CALL ME IF YOU GET LOST, though, is a chance to see if they can recognize rap greatness once it has kicked their door in.The album cover depicts Tyler's persona Tyler Baudelaire, complete with details such as his actual birth date, the release date of the album, and where is he is from (Hawthorne, California.) Contrary to popular belief, the album cover is not based on Old Dirty Bastard's Return to the 36 Chambers: The Dirty Version, but instead "old passport and travel cards from early 1900s." Giving the Grammy the benefit of the doubt, maybe they wanted to reward all the great rapping he’d done until that point. “WILSHIRE” is potentially best described as an epic poem. And then there’s “RUNITUP,” which features a crunk-style background chant, and “LEMONHEAD,” which has the energy of Trap or Die-era Jeezy. The vibes across the album are a disparate combination of sounds Tyler enjoys (and can make)-boom-bap revival (“CORSO,” “LUMBERJACK”), ’90s R&B (“WUSYANAME”), gentle soul samples as a backdrop for vivid lyricism in the Griselda mold (“SIR BAUDELAIRE,” “HOT WIND BLOWS”), and lovers rock (“I THOUGHT YOU WANTED TO DANCE”). Tyler made an aesthetic choice to frame CALL ME IF YOU GET LOST with interjections of shit-talking from DJ Drama, founder of one of 2000s rap’s most storied institutions, the Gangsta Grillz mixtape franchise. The focus here is very clearly hip-hop from the outset. Tyler superfans will remember that the MC was notoriously peeved at his categoric inclusion-and eventual victory-in the 2020 Grammys’ Best Rap Album category for his pop-oriented IGOR. (The 2023 Estate Sale version has eight tracks that weren’t on the original, including the single “DOGTOOTH” and features from Vince Staples and A$AP Rocky.) But in this case, an exceptionally great one. But across CALL ME IF YOU GET LOST, the man once known as Wolf Haley is just a guy who likes to rock ice and collect stamps on his passport, who might whisper into your significant other’s ear while you’re in the restroom. The Los Angeles-hailing MC, and onetime nucleus of the culture-shifting Odd Future collective, made a name for himself as a preternaturally talented MC whose impeccable taste in streetwear and calls to “kill people, burn shit, fuck school” perfectly encapsulated the angst of his generation. There’s a handful of eyebrow-raising verses across Tyler, The Creator’s CALL ME IF YOU GET LOST-particularly those from 42 Dugg, Lil Uzi Vert, YoungBoy Never Broke Again, Pharrell, and Lil Wayne-but none of the aforementioned are as surprising as the ones Tyler delivers himself.
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